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Becca is often seen playing. . .

  • the tragic heroine

  • the supernatural trickster

  • the grandiose noblewoman

  • the long-suffering fool

  • the young-and-in-love (despite the consequences)

  • many of these things at once

"Becca Westbrook proved exuberantly audacious as Dromio of Ephesus. . .The penchant for slapstick is strong in her, and she’ll keep you in stitches"

- Andrew Walker White, DC Theatre Arts

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Past Productions:

'Tis Pity She's A Whore

Mortal Fools Collective, 2026

Annabella

Photos by Solas Photography

Westbrook’s compelling performance refused to make Annabella a mere victim – her equivocation with Soranzo, her rejection of Soranzo’s violence, her embrace of her desire for her brother, and her equally committed standing-up to him in the final scene, all showed a woman determined to make her own choices, and equally capable of reckoning with the fallout of the bad ones.

-Dr. Peter Kirwan, The Bardathon

The Winter's Tale

Constellation Shakespeare Collective, 2025

Hermione, Perdita, Dorcas, Others

Photos by Ariel Tatum

"Westbrook’s Hermione was defined by her genial grace. . . [she] was brave, her confusion and even fear not preventing her exercising care as she tried to reach out to her husband. . . Westbrook’s Hermione articulated herself with unfeigned confidence, even a tinge of frustration at the doubt being placed on her claims. . ."

-Dr. Peter Kirwan, The Bardathon

Macbeth

Constellation Shakespeare Collective, 2025

Malcolm, First Witch, Murderer

Photos by Ariel Tatum

"The most obvious extension of this eerie set-up into the world of Macbeth was through the Witches. . .Westbrook’s alligator rattled across the floor with elongated black gloves that tapped and scraped percussively. . .

-Dr. Peter Kirwan, The Bardathon

Quinze

Constellation Shakespeare Collective, 2025

The Countess

Photos by Ariel Tatum

"In a waiting area, a woman (Becca Westbrook) sat in near complete stillness before a coffin as audience members arrived and hovered, unsure of their next steps. . .Westbrook – whose fiercely serious character seemed to be in charge of the space that Casterline’s character managed – also introduced the production’s recurrent interest in magic and illusion, manipulating people and objects with impressive displays of sleight of hand."

-Dr. Peter Kirwan, The Bardathon

Understudy

American Shakespeare Center

Spring 2024, Summer 2024, Spring 2025 - 11 Tracks over 8 shows

"Becca Westbrook proved exuberantly audacious as Dromio of Ephesus. . .The penchant for slapstick is strong in her, and she’ll keep you in stitches"

- Andrew Walker White, DC Theatre Arts

"super-substitute Becca Westbrook, understudying as Mary, repeatedly stole the show with pitch-perfect moralizing (“Oh do hush, Mary!”), fumblings with curtains, and other social awkwardness"

- Dr. Peter Kirwan, Come To The Pedlar

"Working with Becca as an understudy in A Midsummer Night's Dream was a remarkable experience. Her performances remained meticulously true to character and blocking, yet she brought an authenticity and depth to the role that was entirely her own. Her ability to blend the essence of the character with her unique personal touch was truly inspiring."

Natasia Lucia Reinhardt, Associate Artistic Director

The Two Noble Kinsmen

MBU Shakespeare & Performance, 2024

Emilia

"Westbrook in many ways had the most important storytelling task of the production. . .her achievement here was keeping the stakes of the otherwise very silly comedy of Palamon and Arcite visible, and her choice impossible.

-Dr. Peter Kirwan, The Bardathon

A Midsummer Night's Dream

Huntsville Shakespeare, 2023

Titania, Hippolyta, Philostrate

The Revolutionists

UAH Theatre, 2022

Olympe de Gouges

© 2025 by Becca Westbrook.

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